This body of work investigates the landscape as an active archive of trauma, ritual, and collective memory.

Moving between prehistoric structures, militarised coastlines, and contemporary graveyards, the series traces how the earth absorbs cycles of violence and forgetting.
The photographs reject the notion of landscape as neutral; instead they frame the terrain as a witness, saturated with the residue of human conflict and loss.

The work is informed by a mother-gaze, attentive to the tension between the romanticisation of war and the silent cost embedded in these sites.
Atmospherically restrained and psychologically charged, the images question how we commemorate what we continue to repeat, and what the land remembers long after we have moved on.